Live Jazz in Washington, D.C.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.

D.C. guitarist Knox Engler plays what he calls progressive math rock – think rhythms and beats complex enough to make Dave Brubeck’s experimentations in “taking five” seem like four on the floor.